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4 effective Techniques to learn surah baqarah with Tajweed

learn surah baqarah with tajweed

learn surah baqarah with tajweed is one of the many amounts people need to be successful in their bid to commune with Almighty Allah. This is one of the most intense chapters of the Quran and needs not only the pronouncing of the words but also frequent skating which is done by Tajweed skills. It has been said repeatedly that there are four fundamental techniques in Tajweed that can help improve your flow, and even the quality of the recitation of Surah Baqarah. Here are four key strategies to learn surah baqarah with tajweed:

Proper pronunciation of letters to learn surah baqarah with tajweed

Regardless of the level of tajweed a Muslim learns, one has to remember that this is a style of recitation where the initial concept is to get the right pronunciation of the Arabic letters. This entails the ten commandments of the Arabic language and getting a mastery of the Makhaarij or the points where different letters reside. This way, the reciter can minimize some mistakes as well as respect the content of the Quran in the process of letter pronunciation. 

 Among the important tips that need to be observed when writing letters is regarding their pronunciation of the different types of letters as; emphatic letters (Huroof Mufakkhama), non-emphatic letters (Huroof Raqi’a), and guttural letters (Huroof Halqiyyah). Every sort of letter involves certain positioning of the articulators, which consists of the tongue, lips, and throat to give the proper sound. 

 For instance, the emphatic letters like ط (Taa), ظ (Dhaa), ص (Saad), and ض (Daad) are spoken with greater force and cohesiveness; the tongue I placed against the upper teeth or the palate. On the other hand, the non-emphatic letters that are articulated at the rear part of the tongue with low pressure include ت (Taa), ذ (Dhaal), س (Siin), and د( Daal). It is about these distinctions that one must get familiarized with to correctly pronounce the Quranic text. 

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Correct application of elongation and pauses to learn surah baqarah with tajweed

Another important Tajweed practice to learn surah baqarah with tajweed is the right utilization of extension (Madd) and the stoppages (Waqf) while reading the Quran. Elongation means the pronunciation of some vowel sounds for a longer time than required while pauses are the planned gaps in the recitation of the verses that add to the sense of the content of the Verses. 

 The rules of Madd are well-founded on certain purely phonetic features as a long vowel, a hamzah which occurs after that, or a sukoon. The period of the elongation may be variable starting with at least two counts up to a maximum of six counts depending on the type of the given rule to be applied. An important key of the rules of Madd is the necessity to control the pulse and the melodic performance of the Quran. 

 The rules of Waqf or the rules of where one has to pause and where one has to continue reading the recitation are also equally important. These rules are derived on the basis of the grammatical pattern of the verses, a kind of specific punctuation, and the overall sense that the verses convey. According to the rules of the Waqf, the proper performance of the recitation does not interfere and the required message gets delivered aptly.

Mastering the rules of noon and meem mushaddad to learn surah baqarah with tajweed

Another technique of Tajweed to learn surah baqarah with tajweed includes the proper use of rules of noon meem mushaddad (the doubled noon and meem) of the noble Quran. These rules are most relevant when reciting Surah Baqarah because the reciter comes across these rules very often in this chapter. 

 The noon and meem mushaddad mean the letters noon (Ù†) and meem (Ù…) are doubled and there are many reasons why this might have happened. The correct pronunciation of these doubled letters entails the use of certain practices including ghunnah and the correct elongation of the sound of the letters. 

 For example, the rule of ghunnah requires that when a noon or meem mushaddad is read then the reciter must make a nasal sound for the count of two. Several problems can arise if the ghunnah is not applied correctly; the indicated rhythm of a verse can be completely altered and the utterance, depending on the incorrect further construction, can convey an entirely different message. Moreover, the aspects of elongation and pauses need to be followed rigorously when it comes to the recitation of noon and meem mushaddad to make the recitation fluent and logically continuous. 

 The rules of noon and meem mushaddad are two of the essential characteristics, which one should grasp among other rules to obtain a high level of reading skills and meet the peculiarities of the Quran as a linguistic work. 

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Perfecting the rules of ghunnah and ikhfa to learn surah baqarah with tajweed

The last Tajweed technique that we need to study is the application of rules relating to the usage of ghunnah and its detection, concealed letters known as ikhfa. All these rules are most applicable in the recitation of Surah Baqarah because the words that they address occur quite often in the chapter. 

 It refers to the sound that comes out when a noon or meem is followed by a Fathah or Damah or a sukoon is placed after a noon or meem. The duration of the ghunnah depends on the type of rule in use, be it short or long One could take two counts, three, or up to six counts. Everything in the proper recitation of the Quran, including the proper height of the voice, depends on the correct use of the ghunnah in order to keep the proper pace and rhythm in the recitation and to fully convey any meaning that is intended by the text of the Quran. 

 Ikhfa, at the same time, is the process of hiding or partially integrating a letter known as the base letter while it is succeeded by other letters. This is so, for example, in case the noon (Ù†) is followed by one of the letters of the group of the Huroof Ikhfa (letters of concealment). In such cases, the noon is not drilled, but it is closely linked with the following letter and gives a rather delicate sound. 

 The analysis of the ways in which the two phenomena function is significant for gaining a grasp of the rules referring to ghunnah and ikhfa, which are critical for the precise and accurate reading of Surah Baqarah. Knowing and mastering these techniques the reciter can overcome essentially many problems that develop in reciting the Arabic language and it will be possible to recite any lines and even the verses from the Quran with music and strictly adhering to the Arabic text.

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